Never will I choose to become a storyboard artist
Now don't get me wrong, I think storyboards are mighty useful things, especially if you're trying to visually work out a storyline for a narrative (a graphic novel; a children's picture book; etc) BUT I definitely would not choose to be a 'storyboard artist' - someone who does it if for a living for things that are then going to be translated to screen (eg TV, ads, films etc) ...
As part of our Visual Narrative module, we've had storyboard artist Oliver Harud in doing a workshop with us. He gave us a kind of live brief - an ad he had to work on last year - and we had to make up the 12 panel storyboards for it. Fine ... but we didn't actually think up the 12 panels - we were given quite specific descriptions (for example panel 3 was "Close up of her plate of healthy food (not just salad but steam fish/chicken & veg)" and it just felt odd to be told so specifically what was needed ... creativity was REALLY limited - and a lot of us struggled. It didn't help that the ad was for a diet pill!
As you can see, the arrow thing on panels 8 & 9 were prescribed to be quite specifically as top view with the whole arrow and whole figure. I was so bored of the drawing (pretty much everyone had done the same image - just in slightly different styles), that I decided to do my own alternative version of her swimming towards the camera.
Anyways, I ended up using the workshop to try and work on developing a character and re-drawing her in different positions and environments ... and in that respect, I got a lot out of the workshop - and Oliver was a great tutor (along with Ben Newman who was also around giving advice). But I sure don't see myself doing this for the rest of my life ....
2 comments:
great job with the storyboard though!! i find it a difficult task too! all the camera techniques!
Perhaps a little boring for you...but very interesting from this end. I wonder if this becomes more fun the more you do it and the quicker you are able to "knock-out" drawings?
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